Been working on a noise soundtrack for a skate video project. Samples from 2001: a Space Odyssey, with noise from a Korg Monotron Delay, Bleep Labs Pico Paso. Samples captured, looped, and tweeked with Korg Kaoss Pad 3.
Prepare to be horrified.
Been working on a noise soundtrack for a skate video project. Samples from 2001: a Space Odyssey, with noise from a Korg Monotron Delay, Bleep Labs Pico Paso. Samples captured, looped, and tweeked with Korg Kaoss Pad 3.
Prepare to be horrified.
For several years now I’ve been playing around with electronic music. I guess I actually started with music about 12 years ago with the guitar. I’m not very good on guitar. I practice a bit, and I can play the basic chords pretty well, but I’ve not taken any lessons to really improve my playing, or put the time in.
So a couple of years ago I discovered Korg’s Kaoss Pad products, which are sythesizers and effects controllers operated by touch pad. After watching some instructional and demo videos on youtube, I got them and tried it out. It’s really fun. I don’t claim to be good at writing songs, in fact I don’t write them, I just improvise. I don’t care. It’s all about fun.
The effects controller of the setup is the Korg KP3 (the red one) — the third version of the Kaoss Pad. While it has a few built-in sounds (drums and synths), mostly what is does is take sound input from another source (another instrument, a microphone, or even an iPod) and allow you to manipulate and play with the sound with a wide variety of effects, such as delay, reverb, looping, flanger, modulation, and combinations of all of the above. It also allows you to create sample loops — up to four of them — which are held in the machine’s memory and can be activated at any time. So the KP3 is a fun and easy device to use for live performance or recording.
OK — so I hope Korg is listening. They came out with a new version last year called the KP3+, on which they made a few programming changes to the device and added a few new effects. So it isn’t so much a “new version” as a slightly improved version of the old version. It seems like a lot of people are not upgrading — not enough benefit. I am one of those people. Can’t spend another $300+ dollars or whatever on a devices that is only a tiny fraction better than what I already have. They also came out with a handheld version of the Kaoss Pad, which is kind of cool, but much more limited and just not something very useful to me.
So Korg — here is a list of things I’d like to see on an fully updated/redesigned Kaoss Pad.
OK Korg-Friends — get on it! Thanks for your time.
First experiment using Bleep Labs Nebulophone. Running it into the KP3 to make loops, add effects, and otherwise diddle with the sounds.
No structure. No theme. Just sounds. 6 minutes. Maybe listen to it while you’re chopping some wood or something.
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Over the weekend I built this kit that I ordered from Bleep Labs, in Austin. It is the Nebulophone, a little synthesizer.
Having never soldered before, I did this skateboarder style — meaning that I bought a soldering iron, some solder, watched a youtube video on how to solder and then learned by doing it on this kit. That’s right. I didn’t even try the soldering thing out on some junk first. How dumb was that? Turns out that while it may have been dumb, I still managed to do a pretty good job of soldering the fairly tiny connections.
I have always enjoyed doing stuff like this. I built a lot of models when I was a kid, and yes, I painted lots of miniatures for D&D. So I like doing detail work of this sort. My eyes are not so good anymore, which makes this a bit challenging. BUT, with a little squinting and a lot of light I had success. Turned it on and it made lots of cool noises.
The Nebulophone does not have its own speaker. I plugged it into my Kaoss Pad KP3, which goes to my headphones and/or amp. For a $55 kit, this thing has a lot of functionality. For one thing, you can record 32 notes into its sequencer than play it back a varying speeds. Cool. Really just scratched the surface on Day 1 with this synth. Really fun to team it up with the KP3 effects and loops though.
Think all those gnarly synth sounds in the early DEVO albums. That’s what this synth is good at producing.
For more info on the gadget and it’s powers, click here.